Tony Leung Chiu-wai, a leading figure in Asian cinema and president of the Shanghai International Film Festival jury, warns that AI may threaten artistic depth and jobs in filmmaking while lamenting the decline of big-screen movie viewing.
- Leung calls AI a ‘double-edged sword’ threatening creativity and jobs.
- Prefers cinema viewing over smaller digital devices.
- Supports artistic freedom and experimentation in Chinese filmmaking.
What happened
At the Shanghai International Film Festival, Tony Leung Chiu-wai discussed the transformative effects of AI in filmmaking. While acknowledging AI’s efficiency in reducing production time and costs, he warned that it could lead to significant job losses and diminish artistic originality. Leung observed that mainstream 'popcorn movies' might benefit most, but such films often lack true creativity and emotional depth.
Leung also shared his strong preference for watching movies in large cinema venues, expressing disappointment over the growing trend of viewing films on small screens like phones. Alongside his concerns about AI, he touched on his collaborations, the development of Chinese cinema, and his approach to project selection focusing on directors’ vision rather than just story or genre.
Why it matters
Leung’s perspective highlights a crucial debate within the film industry about balancing technological innovation with preserving artistic integrity and livelihoods. AI’s rise challenges traditional filmmaking roles and may incentivize formulaic content geared toward mass consumption rather than thoughtful storytelling. His comments underscore anxiety over AI’s potential to erode the emotional 'soul' of cinema.
Furthermore, Leung’s lament about reduced theatrical attendance touches on wider cultural shifts in media consumption. The move away from communal, immersive cinema experiences toward personal device viewing may impact how films are made and appreciated, potentially undermining the unique draw of theatrical presentation.
What to watch next
Industry stakeholders will be closely monitoring how filmmakers integrate AI tools while balancing creative expression and employment concerns. Festivals like SIFF experimenting with AI-assisted shorts will provide early signals of AI’s artistic potentials and limits. Regulatory and creative communities may push for frameworks ensuring AI complements rather than replaces human artistry.
Meanwhile, Leung’s ongoing projects with directors in Hong Kong and India, including streaming productions, will offer insights into evolving filmmaking practices amid technological and cultural shifts. Observers should also watch how Chinese cinema continues to navigate censorship, innovation, and expanding global reach as it seeks new narratives and artistic freedoms.